Monday, March 30, 2015

Madonna's Music Videos : Visuals & Lyrics



Retrieved from https://www.youtube.com/watch?v=ftXHKfbXeBM

"Like A Prayer"

Life is a mystery
Everyone must stand alone
I hear you call my name
And it feels like home

When you call my name its like a little prayer
I'm down on my knees, I wanna take you there
In the midnight hour I can feel your power
Just like a prayer you know I'll take you there

I hear your voice, its like an angel sighing
I have no choice, I hear your voice
Feels like flying
I close my eyes, Oh God I think I'm falling
Out of the sky, I close my eyes
Heaven help me

In 1989, Madonna released what has been called her greatest and most personal record to date - "Like a Prayer" (1988). In the amid the dissolution of her marriage, the turning 30th Madonna has a lot in her mind, especially facing the age at which her mother had died, and thus she experienced more emotional turmoil.

Madonna songs often related to her life experience. The recorded of “Like a Prayer”(1988) believed revolves around the mother, which is a childhood trauma that had a strong part in making the singer who she is. As the mother is a pious Catholic, her death seems to make Madonna question about religious. Even though “Like a Prayer”(1988) is a album that mostly sound religious, we could see that the contradictory and as well as an “ending” to her question with a song at the end of the album – Act of Contrition. The song is about Madonna is mad because she “does not have a reservation”, a reservation she was supposed to have because she has prayed which I see that she is trying to state the irony of the existence of the religious and the influence that it did to the believers.

This album “Like a prayer”(1988) serves it's controversial propose, especially the debut “Like a Prayer”. The record sounds religious, especially with the caroling that heighten up the religious spirit. However, if you have study Madonna whole album, or her star image, you would find that this song is with an undertone of sexual tension. The liturgical context is added with dual meaning, and this has provoked the taboo back then in the 1989.

The sexual hint in the lyrics for example first verse for "Like a Prayer"(1988) which goes "When you call my name, It's like a little prayer, I'm down on my knees, I wanna take you there” are referring to someone performing oral sex. Not just the song itself, the song’s video was quite controversial as well.

Retrieved from "Like A Prayer" (1988)

Studying the images of the music video, we see that Madonna has address racism and depict a mixed-race couple, which is a forbidden interracial love affair back then. She emphasizes the equal status among different race.

Retrieved from "Like A Prayer" (1988)

In the music video, Madonna sings the line “When you call my name, it’s like a little prayer” while the crime scene is shown in detail, noted the woman is killed and the black man who trying to save was thrown in jail. However, Madonna does nothing about it, thus portraying failure of divinity to save. The images are stating the controversy of “White men rape or kill but black men are thrown in jail”.


According to Metz , the intermediate verse amidst a field of burning crosses was believed portraying the murder scene of three civil workers in the 1988 American crime drama film Mississippi Burning.


Retrieved from "Like A Prayer" (1988)


Madonna brought up the controversy of the Ku Klux Klan. During the Ku Klux Klan murders in Mississippi Burning, only 1 black man protested. In the music video, Madonna dances with the choir in the altar of the church, a young Black boy joins her. 

Retrieved from "Like A Prayer" (1988)

Racial equality, sex ecstasy, religious issue was questioned and portrayed in this music video. These portray female empowerment as women are usually a taboo for political, sex nor has the chance to raise religious issue but Madonna did it all. 



Retrieved from https://www.youtube.com/watch?v=Np_Y740aReI

"Justify My Love"

I want to kiss you in Paris 
I want to hold your hand in Rome
I want to run naked in a rainstorm
Make love in a train cross-country
You put this in me
So now what, So now what?

Wanting, Waiting, Needing
For you to justify my love
Hoping, Praying
For you to justify my love

I want to know you
Not like that
I don't want to be your mother
I don't want to be your sister either
I just want to be your lover
I want to be your baby
Kiss me, thats right, Kiss me

Yearning, burning
For you to justify my love

What are you gonna do
What are you gonna do
Talk to me - Tell me your dreams
Am I in them
Tell me your fears
Are you scared?
Tell me your stories
I'm not afraid of who you are
We can fly!

Poor is the man
Whose pleasures depend on
The permission of another
Love me, thats right, Love me
I want to be your baby

Madonna appeared as a role model for woman symbolizes professional and personal independence in a male-dominated society, as well as sexual liberation. She has taught young women to be fully female and sexual while still exercising total control over their lives by showing how to be attractive, sensual, energetic, ambitious, aggressive and funny by herself in each of her works.
In the video ‘Justify my love’ (1993), she depicted the combination of Catholicism and a woman who dominates her own sex.


Retrieved from "Justify My Love" (1993)


Retrieved from "Justify My Love" (1993)

The music video ends with a line: ‘Poor is the man, whose pleasures depend on the permission of another’ which is also part of the lyrics.


Retrieved from "Justify My Love" (1993)

It is indicating criticism of Madonna towards the Catholic rules of no pre-marital sex and the idea of male-dominating sex. The appearing image when the line is sung is an image of Jesus Christ.


Retrieved from "Justify My Love" (1993)

Madonna, as a role model for the symbolization of professional and personal independence in a male-dominated American society is visualized in the video through images of woman with moustache and male dressing. It depicts woman can also be the one who dominates.


Retrieved from "Justify My Love" (1993)


Retrieved from "Justify My Love" (1993)

At the final scene of the music video that shows the images of Madonna walking away leaving the man and laughing behind could indicate an exchange of role patterns towards the prostitution industry in which, usually, man gets the pleasure by dominating sex on woman. In this scenery, Madonna gets the pleasure from the man.


Retrieved from "Justify My Love" (1993)


Retrieved from "Justify My Love" (1993)

The man in the video is dependent on Madonna for getting what he wants. By walking away, Madonna doesn’t give him her ‘permission’ to justify her loves.

At the starting of the song, Madonna speaks she wants to meet in Paris, Rome and  ‘make love in a train, cross-country’. This nostalgia for romance, like Paris and Rome; both in Europe, are usually associated with romantic ‘getaways’ for lovebirds. The line ‘You put this in me’ clearly stated how the ‘common’ ways a girl would felt in love to by having a man who dominates and creates fantasies of love but when the paragraph ended with ‘so now what?’ it seems like the girl sounded to question herself and struggle for change. But the lyrics combined with the images is contradiction, the images imply just sex. Even though she is being sexual in an obvious way, she has control over the men watching her and she's not being victimized.

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